Постинг
28.12.2011 22:14 -
Библиография за видео арта - продължение
Автор: ulian
Категория: Други
Прочетен: 1877 Коментари: 0 Гласове:
Последна промяна: 04.01.2012 09:34
Прочетен: 1877 Коментари: 0 Гласове:
0
Последна промяна: 04.01.2012 09:34
Библиография, свързана с тематиката за видео арта - продължение
ТЕКСТОВЕ НА ЛАТИНИЦА
92. Acconci Vito. 10 Point Plan for Video// Video Art/ edited by Beryl Korot and Ira Schneider. New York: Harcourt, Brace, Jovanovich, 1976.
93. Acconci Vito. Claim 1971 // Acconci Vito and Gloria Moure. Vito Acconci: Writings, Works, Projects. Barcelona: Ediciones Poligrafa, 2001.
94. Acconci Vito. Linker Kate// Vito Acconci. New York: Rizzoli, 1994.
95. Aldgate A., Chapman J., Marwick A. Windows on the Sixties: Exploring Key Texts of Media and Culture. London, UK: I. B. Taurus, 2000.
95.1
Aliaga, Juan Vicente; Picazo, Gloria; Rodrigo, Javier. Exercicis de memтria = Ejercicios de memoria = Exercices in memory. - Lleida - Ajuntament de Lleida , "Centre d"Art La Panera, 26.01.2011/25.04.2011.", 2011. - 219 p. : ill. (some col.).
ISBN: 9788496855441
Заб. Видео артът като съхранена памет за артефакти, места, хора, събития.
96. An tin David. Television: Video"s Frightful Parent // Artforum, 1975.
97. Antin David. Video: Distinctive Features of the Medium // Video Culture : A Critical Investigation. John G.Hanhardt ( ed.) Rochester, NY.: visual Studies Workshop Press, 1986.
98. Armes Roy. On Video. London New York: Routledge, 1988.
99. Barthes R. 1977. The Death of the Author //Image-Music-Text, trans. Stephen Heath, PP. 142-148. London: Fontana. Original edition, "La mort de l"auteur", Paris, 1968.
100. Battcock, Gregory. New Artists Video, A Critical Anthology. New York: E.P. Dutton, 1978.
101. Benjamin W. The Author as Producer. (1934) // Walter Benjamin, Selected Writings. -Cambridge, MA, London, 1999.
102. Blackmore S. The Meme Machine. Oxford, 1999.
103. Bolter JD. Remediation: Understanding New Media. МГГ Press; New Ed edition, 2000.
104. Boyle Deirdre. Subject to Change: Guerrilla Television Revisited. Art Journal: Video - The Reflexive Medium, No. Fall 1985.
105. Boyle Deirdre. Video Classics: A Guide to Video Art and Documentary Tapes. Phoenix. Oryx Press, 1986.
106. Boyle Deirdre. Video preservation. Securing the future of the past. New York: Media Alliance, 1993.
107. Boyle Deirdre. A Brief History of American Documentary Video // Hall Doug, Fifer Sally Jo, Illuminating Video : An Essential Guide to Video Art, New York: Aperture, 1990.
108. Boyle Deirdre. Subject to Change: Guerrilla Television Revisited // Art Journal: Video The Reflexive Medium, No. Fall 1985.
109. Brett Thomas Meme Manual: A Cybernaut"s User"s Guide to Mind Viruses Version 1.1., 1995.
110. Buchloh Benjamin H.D. Allegorical Procedures: Appropriation and Montage in Con-temporaty Art// Artforum. Vol 21. - №1. September 1982.
111. Burden Chris. Beyond the Limits. Ed. by Peter Noever, МАК, Ostfildern: Cantz 1996.
112. Burns Jon. Did the Portapak Cause Video Art. Notes on the Formation of a New Medium. Millennium Film Journal, Vol. 29, 1996.
113. Christine Tamblyn "Women"s Video of the 1980s" // Eluminating Video,1990.
114. Constance Penley (ed.), Feminism and Film Theory. London: Routledge, 1988.
115. Coulter-Smith Graham. Deconstructing Installation Art: Fine Art and Media Art, 1986-2006. Graham Coulter-Smith CASIAD PUBLISHING, 2006.
116. Cubbit Sean. Timeshift: on Video Culture. New York: Routledge, 1991.
117. Cubitt, Sean, Videography: Video Media as Art and Culture. London: MacMillan Education Ltd., 1993.
118. De Oliveira Nicolas, Oxley Nicola, Petry Michael. Installation Art. London: Thames and Hudson Ltd, 1994.
119. Deleuze Gilles, Guattari Felix. "Rhizom". Berlin: Merve, 1977.
120. Dennett D. Consciousness Explained. Boston, 1991.
121. D"haen T. Postmodernism in American fiction and art. // Approaching postmodernism: Papers pres. at a Workshop on postmodernism, 1984, Univ. of Utrecht / Ed. By Fok-kema D., Bertens H. Amsterdam; Philadelphia, 1986.
122. Eco Umberto. The Open Work / Transl. Anna Cacogni. Cambridge, MA, 1989.
123. Elwes Catherine. Video Art, A Guided Tour. NY, 2005.
уточнено:
123.1 уточнено
Elwes, Catherine.Video Art A Guided Tour. - London ; New York - IB Tauris in association with University of the Arts, London, 2005. - x, 212 p.: ill.
ISBN: 1850435464
124. Florence Gilbard. An Interview with Vito Acconci // Afterimage.- vol.12. no.4. -1984.
125. Frank Gillette. Between Paradigms. -New York: Gordon & Breach, An Interface Book, 1973.
126. Frank Peter. Video Art Installations: the TV-environment. In Ira Schneider & Beryl Korot (edit) Video Art. An anthologio. Harcourt, N.Y. 1978.
127. Freeland Cynthia. Piercing to our inaccessible, inmost parts // Art of Bill Viola / edited by Chris Townsend. Eng.: Thames & Hudson 2004.
128. Furlong Lucinda. Tracking Video Art: Image Processing as a Genre// Art Journal, ed. Sara Hornbacher, vol. 45, #3, 1985.
129. Furlong Lucinda. A Manner of Speaking. An Interview with Gary Hill. By March 1983. Afterimage, Vol. 10, No 8.
130. Furlong Lucinda. Notes Toward a History of Image-Processed Video: Eric Siegel, Stephen Beck, Dan Sandin, Steve Rutt, Bill and Louise Etra // Afterimage, Vol. 11, No 5, 1983.
131. Gale Peggy. Video dy Artists. Toronto: Art Metropole,1976.
132. Gary Hill. PAJ Books: Art+Performance/ edited by R.C. Morgan. Baltimore,London: Johns Hopkins Univercity Press, 2000.
132.1
Gianelli, Ida; Ross, David A.; Bernardelli, Francesco. Video Art
The Castello Di Rivoli Collection. - Milan : New York, NY - Skira , Distributed in North America by Rizzoli International, 2005. - xv, 286 p. : ill. (some col.).
ISBN: 8876245340, 9788876245343
133. Gill Johanna Branson. Video: State of the Art // David Dunn (ed.) Pioneers of Electronic Art. Linz, Austria: Ars Electronica, 1992.
134. Godfrey Tony. Conceptual Art. Phaidon Press, London 1998.
135. Goldberg Rose Lee. Performance Art: From Futurism to the Present. New York : Thames and Hudson Ltd, 1979. Revised and updated, 2001.
136. Graham Dan. Video in relation to Archetecture // Illuminating video,1990.
137. Green J. Ronald. Maximizing Indeterminacy: On Collage in Writing, Film, Video, Installation and Other Artistic Realms //Afterimage. Vol. 27. - № 6. - 2000.
138. Green J. Ronald. Maximizing Indeterminacy: On Collage in Writing, Film, Video, Installation and Other Artistic Realms //Afterimage. Vol. 27. - 6. - 2000.
139. Greenberg Clement. Art and culture : critical essays. Boston : Beacon Press, 1961.
140. Greenberg, Clement. The Collected Essays and Criticism, Vol 1, 2. Edited by John O"Brian. University of Chicago Press, 1986.
141. Hagen Charles. A Syntax of Binary Images: An Interview with Woody Vasulka// Afterimage, Vol. 6, Nos. 1 &2 (Summer 1978).
142. Hall Doug, Fifer Sally Jo. Illuminating Video: An Essential Guide to Video Art. -New York (United States), Aperture, Bay Area Video Coalition, 1990.
143. Hanhardt, "De-collage/Collage: Notes Toward a Reexamination of the Origins of Video Art" // Illuminating Video: An Essential Guide to Video Art, 1990.
144. Hans Magnus Enzensberger.Constituents of a Theory of the Media// Video Culture. A critical Unvestigation. Ed. By J.Hanhardt. NY, 1986.
145. Herskowitz Richard. Media Buff: Media Art of Buffalo Being In Between. 1988.
146. Huffman Kathy Rae. Video and Architecture // Timothy Druckery, ed., Ars Elec-tronica: Facing the Future. Cambridge, MA: MIT Press, 1999.
147. Huffman Kathy Rae. Video Art: What"s TV Got To Do With It? // Illumnating video
148. Hes Chrissie. Signs and Interpretation: Time-based Installation in the Eighties // Chris-sie lies. Signs of the Times . Oxford: Museum of Modern Art, 1990.
149. Inke Arns Interaction, Participation, Networking Art and telecommunication // Dieter Daniels, Rudolf Frieling (eds.), Media Art Net 1: Survey of Media Art. Vienna/New York 2004.
150. James J Farrell. The Spirit of the Sixties: The Making of Postwar Radicalism. New York: Routledge, 1997.
151. James S. Olson. Historical Dictionary of the 1960s. Westport, Conn.: Greenwood Press, 1999.
152. Jameson Frederic. Postmodernism, Or The Cultural Logic of Late Capitalism. Lond. Duke University Press, 1991.
153. Judith Mayne. The Woman at the Keyhole: Feminism and Women"s Cinema. Indiana University Press, 1990.
154. Juhasz Alexandra. Women of Vision: Histories in Feminist Film and Video. Minneapolis: Univercity of Minnesota Press, 2001
155. Katarzyna Marciniak, Aniko Imre, Aine O"Healy (Eds.transnational Feminism in Film and Media: Visibility, Representation, and Sexual Differences. London and New York: Palgrave Macmillan, 2007
156. Kaplan, E. Ann, ed. Feminism & Film. Oxford UP, 2000.
157. Krauss Rosalind. Video and Narcissism// October. Vol. 1. - No. 1, 1976.
158. Krauss Rosalind. Video: The Aesthetics of Narcissism // John Hanhardt, ed., Video Culture.- Rochester: Visual Studies Workshop, 1987.
159. Lister Martin, Dovey Jon, Giddings Seth. New Media: A Critical Introduction. London: Routledge, 2003.
160. London Barbara. Independent Video: The First Fifteen Years// Artforum. September, 1980.
161. London Barbara. Time as Medium: Five Artists" Video Installations// Leonardo. -1995.- Vol. 28, No 5
162. Lucinda Furlong Notes Toward a History of Image-Processed Video// Afterimage. -Summer 1983. -Vol.11, No 1,2,5. Lucinda Furlong. Tracking Video Art: Image Processing as a Genre // Art Journal, Fall, 1985.
163. Lunenfeld P. The Digital Dialectic: New Essays on New Media(Leonardo Book).-МГГ Press; New Ed edition, 2000.
164. Lynch A. Thought Contagion: How Belief Spreads Through Society. New York, 1996
165. Manovich L The Language of New Media (Leonardo). Cambridge: МГГ Press, 2001.
166. Marcuse G.Essay on liberation. Boston, 1969.
167. Marshall P.D. New Media Cultures (Cultural Studies in Practice). Hodder Arnold, 2004.
167.1
Martin, Sylvia; Grosenick, Uta.Video Art. - Hong Kong ; Kцln ; Los Angeles: "Taschen", 2006. - 96 p. : col. ill.
ISBN: 9783822829509
Заб. Закупена.
169. Meigh-Andrews Chris. A History of Video art. The Development of Form and Function. Oxford, NY.
170. Mellencamp Patricia. Indiscretions: Avant-Garde Film, Video, & Feminism. US: Indiana University Press, 1990
171. Morse Margaret. Video Installation Art: The Body, the Image, the Space in Between // Illuminating Video.
172. Munster Anna. Materializing New Media: Embodiment in Information Aesthetics (Interfaces: Studies in Visual Culture). NY, Dartmouth , 2006.
173. Neumaier Otto. Space,Time,Video,Viola// Art of Bill Viola / edited by Chris Town-send, 2004 .
174. Oppenheimer Robin. Video installation: characteristics of an expanding medium// Afterimage, 2007.
175. P. Braunstein, Michael William Doyle. Imagine Nation: The American Counterculture of the 1960"s and 70"s . Routledge, 2001.
176. Paik Nam June. Video "n Technology 1959-1973 / Ed. Judson Rosebush. N.Y.: Everson Museum of Art, Syracuse, 1974.
176.1
Pipilotti Rist partit amistуs, sentiments electrтnics = friendly game, electronic feelings = partido amistoso, sentimientos electrуnicos. [Itinerant exhib., Barcelona, Fundaciу Joan Mirу, July 8-Nov. 1, 2010; Girona, Centre Cultural de Caixa Girona-Fontana d"Or, July 9-Nov. 7, 2010]. - Barcelona - Actar, 2010. - 151 p.: ill. (chiefly col.).
ISBN: 9788492861569
177. Poggi Christine. In Defiance of Painting: Cubizm and tke.
177.1
Rist, Pipilotti. Pipilotti Rist: The Tender Room.[Catalog of an exhibition held at Wexner Center for the Arts, The Ohio State University, Columbus, Ohio, Mar. 26-July 31, 2011]. - Columbus, Ohio - Wexner Center for the Arts, 2011. - 1 vol. (unpaged) : col. ill.
ISBN: 1881390497, 9781881390497
178. Rees A.L. A History of Experimental Film and Video. Oxford
178.1 Rolla, Alexandre. Hiraki Sawa. - Dijon - Les presses du rйel, 2011. - 141 p.: ill. (some col.).
ISBN: 9782840664352
181. Ross D. Artist"s Video. New York, 1973.
182. Ross David. Postmodern Station Break: A Provisional (Historic) Overview of Video Installation // American Landscape Video: The Electronic Grove. Pittsburgh: Carnegie Museum of Art, 1988.
183. Rush Michael. New Media in Art. Thames& Hudson, 2005.
184. Rush Michael. New Media in Late 20th-century Art (World of Art).- London: Thames and Hudson, 1999.
184.1
Rush, Michael.
Video Art. - London: "Thames & Hudson", 2007. - 256 p.: ill. (chiefly col.).
ISBN: 9780500284872, 0500284873
184.2
Ryan Paul.
Video Mind, Earth Mind, Peter Lang Publishers, New York, NY, 1993.
ISBN: 0-8204-1871-4
185. Schneider I. // Jud Yalkut. Dialogue: a Regional Magazine of the Arts, Columbus, Ohio.
186. Schneider Ira. Korot Beryl. Video Art, An Anthology. New York: Harvest Books, 1976.
187. Soke Dinkla. Virtual Narrations From the crisis of storytelling to new narration as a mental potentiality // Dieter Daniels / Rudolf Frieling (eds.), Media Art Net 1: Survey of Media Art. Vienna/New York, 2004.
188. Sperber D. Explaining Culture: A Naturalistic Approach. Oxford, 1996.
189. Stan Douglas / Watson Scott (eds.).- London, 1998.
190. Structural Film Anthology. Edited by Peter Gidal. London: British Film Institute, 1978. Malcolm Le Grice. Abstract Film and Beyond. - London: Studio Vista, Cassel & Collier Macmillan Publishers Ltd., 1977.
191. Sturken Marita. Paradox in Evolution of an Art Form // Doug Hall and Sally Jo Fisher(eds) Illuminating video. An Essential Guide to Video Art, Aperture, New York
192. Sutton Tiffany. Immersive Conteplation in Video Art Environments. -Plymonth,Hass, 2005.
193. Tamblyn Christine. Women"s Video of the 1980s //niuminating Video
194. Thompson J.B. The Media and Modernity: a social theory of the media. Cam-bridge:Polity Press, 1971.
195. Thornham, Sue. Feminist Film Theory: A Reader. NY University Press, 1999.
196. Tribe Mark, Jana Reena. New Media Art. Taschen, Koln, 2006.
197. Vasulka Steina. My Love Affair with Art: Video and Installation Work. Leonardo, v28, 1.
198. Videokunst in Deutschland, 1963-1982, Wulf Herzogenrath (ed.). Stuttgart, 1982
189.1
Video Art Expanded Forms. - New York, N.Y. - Whitney Museum of Art, 1988. - 8 p. ill.
LCCN: 88193632
189.2
Video Art An Anthology. - New York - Harcourt Brace Jovanovich, 1976. - 286 p. : ill.
ISBN (Cancelled): 0151936322
LCCN: 75042305
189.3
Video Art [exhibition] : Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, January 17 to February 28, 1975. Bibliography: p. 107-115. - 116 p. : ill.
ISBN: 0884540146
189.4
VideoStorias.[Catalog of an exhibition held at the Artium, Vitoria, Spain, Apr. 15-Sept. 4, 2011. Includes bibliographical references. Text in Spanish, Basque, and English ] - Vitoria-Gasteiz - Artium, 2011. - 3 v. ; 22 cm. + 2 booklets + 78 loose leaves of plates + 1 loose folded map.
ISBN: 9788493822903, 9788493822910, 9788493822927, 9788493822934
199. Viola Bill. Darke Chris. Light readings. Film Criticism and Screen Arts. Eng.: Wallflower Press, 2000.
200. Viola Bill. Reasons for Knocking at an Empty House: Writings 1973-1994. London: Tames and Hudson. PP. 241-242.Rush Michael. Video Art. - NY: Thames&Hadson, 2003.
201. Virilio Paul. Polar Inertia. London: Sage, 2000
202. Willis Holly. New Digital Cinema: Reinventing the Moving Image. London and New York: Wallflower, 2005.
203. Wilson E.O. Consilience: The Unity of Knowledge. New York, 1998.
204. Wooster Ann-Sargent. Why Don"t They Tell Stories Like They Used To// Art Journal: Video The Reflexive Medium. - 1985. -Vol. 45, No 3.
205. Wooster Ann-Sargent. Reach Out and Touch Someone: The Romance of Interactivity // Illuminating video, 1990.
206. Yalkut Jud. VIDEOSPACE/INTERFACE // Dialogue: a Regional Magazine of the Artsio Columbus, Ohio, 1989.1.
Интернет источници (електронни ресурси)
207. Фрагменты интервью Вуди и Штейны Васюлка из документального фильма "Бинарные жизни". Перевод Мусина М.
rhttp:/Avww.otkakva.ru/interview/vasulka/vasulka.htm
208. Морозова О. Акционизм, перформанс.
http://www.krugosvet.ru.
209. Сайт "МедиаАртНет".
http://www.mediaartnet.org/sitemap/en.
210. Сайт "Early Video Project",
http://davidsonsfiles.org/index.html.
211. Arns I. Interaction, Participation, Networking Art and telecommunication. http://www.mediaartnet.org/themes/overviewofmediaart/communication/print .
212. Daniels D. Television—Art or Anti-art. Conflict and cooperation between the avant-garde and the mass media in the 1960s and 1970s.http://www.mediaartnet.org/themes/overviewofmediaart/massmedia.
213. Horsfield K. Busting the tube: A Brief History of Video Art. . Introduction to the Video Data Bank Collection; 2004.
http://www.temple.edu/tempress/chapters1400/1669chl.pdf.
214. Green, J.Ronald. Maximizing Indeterminacy.
http://www.thefTeelibrary.com//print/PrintArticle.aspx?id=63193945.
215. Manovich L. Behind the Screen / Russian New Media,
http://www.ctheory.com.
216. Manovich L. Database as a Symbolic Form.
http://www.mfjonline.org/journalPages/MFJ34/ManovichDaabaseFrameSet.html.
217. Soeborg T. VIDEO + TIME + SPACE = VIDEO INSTALLATION. Online Essay, 1999 http://www.videoart.suite.dk/torben/essay-13.htm.
218. Sutton T. Immersive Conteplation in Video Art Environments. http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=288.
219. Troy M. I Say I Am: Women"s Performance Video From the 1970"s.
http://www.vdb.org/resources/isayiamessay.html.
220. Video History Project,
http://www.experimentaltvcenter.org/history/index.html.
Следващ постинг
Предишен постинг
Няма коментари
Вашето мнение
За да оставите коментар, моля влезте с вашето потребителско име и парола.
Търсене
